Utility is a free, lightweight, universal general purpose all in one digital channel strip plugin offering precise controls over various aspects of an audio signal, from mid/side processing to soft clipping.
Features:
input routing with separate pans for the left and right channels, or alternatively a pre mono balance control to decide how the left and right channels are blended for conversion into mono
gain, and individual left and right channel gains, mutes
pan and phase inversion of either channel
width control, along with separate mid and side gain sliders and mutes
maximally flat minimal phase high and low pass 12db/octave filtering
optional hard and soft clipping at 0db
everything is fully automatable with sensible parameter ranges/scaling
Dexed is a multi-platform, multi-format plugin synth that is closely modelled on the Yamaha DX7. Dexed is also a midi cartridge librarian / manager for the DX7.
Features:
Multi platform (OS X, Windows or Linux) and multi format. (VST, AU, LV2)
144 DAW automatable DX7 parameters available from one single panel.
Fully supports DX7 input and output Sysex messages; including controller change. This means that you can use this with a native DX7/TX7 as a patch editor and sysex manager.
Each operator has a realtime VU meter so you know which one is active.
Can load or save any DX7/TX7 sysex programs. It is also possible to save a single program into a different sysex file.
CHOW is a digital distortion effect designed for maximum truculence, somewhere between a true half-wave rectifier and a noisy vintage compressor. Useful for mixing guitars, drums, even vocals when a heavily degraded sound is desired. Feel free to build and use for your own enjoyment!
Acon Digital Multiply is a free and versatile chorus effect with a unique twist. Each simulated voice is processed with a phase randomizing filter so that unpleasant comb filter effects are avoided. The effect can be used to simulate the effect of several performers playing the same tones simultaneously, to widen the spatial image or to create special effects for sound design. Multiply can simulate up to 6 additional voices and both the pitch and the loudness of the voices can be modulated. There is also an integrated equalizer consisting of low cut, low shelf, high shelf and high cut filters that can be applied to the effect signal. An integrated pre-delay section makes it possible to create modulated and diffuse echo effects.
Argotlunar is a tool for creating surreal transformations of audio streams. Specifically, it is a real-time delay-line granulator. It disintegrates an audio stream into short samples (grains). Each grain can have random settings of amplitude, panning, duration, delay, pitch, glissando, filter and envelope. The output of all grains is mixed together into a stream which can be fed back into the main input.
Time-related parameters can be synced to the host tempo, for rhythmic and pulsing textures. Pitch-related parameters can be quantized for harmonic and melodic effects. Feedback can create chaotic, densely layered, and distorted sounds.
Most of the parameters can be correlated. Examples:
Filter cut-off correlated with pitch: Higher filter cut-off for grains with higher pitch, and vice versa.
Grain duration correlated with panning: Grains with shorter duration panned to the centre of the stereo field, and grains with longer duration panned wide in the stereo field.
Andes is a standalone software synthesiser, or plugin, in early stages of development. The core of Andes is an original oscillator which uses a pseudo-3D version of Perlin Noise to produce distinctively digital sound.
Sounding good has never been this cheap. Even though FreeAMP may look simple, all the algorithms from our amplifying modeler plugin REAMP are still in there. In this free version, we’ve combined our favourite profiles from REAMP into one universal profile. When processing audio through FreeAMP you’ll get the sound of tape and tube saturation at the same time. It can be used on anything that needs to be vitalized, from single tracks, stems or full mixes. And the best thing is that it is Totally free! (requires an account)
Requires macOS 10.9 or later, Windows 7 (SP1) or later, running a AU, VST or AAX compatible 64-bit host.
Zrythm is a cross-platform digital audio workstation designed to be featureful and easy to use. Automate almost anything with automation events using straight lines, ramps and curves, or with LFOs and envelopes. Featuring a chord pad for quickly trying out chords in a scale and a chord track to help with chord progressions.
Complete support for LV2 and VST2, with experimental support for VST3, AU, SFZ and SF2. Fully JACK aware, including support for JACK transport, ALSA, WASAPI, Windows MME, CoreMidi and CoreAudio.
Zrythm (Basic) is free software. Use, study, share and improve it freely. Available in multiple languages including English, French, Galician, Portuguese, Japanese and German.
Carla is a fully-featured modular audio plugin host, with support for many audio drivers and plugin formats. It has some nice features like transport control, automation of parameters via MIDI CC and remote control over OSC.
Carla currently supports LADSPA (including LRDF), DSSI, LV2, VST2, VST3 and AU plugin formats, plus SF2 and SFZ file support. It uses JACK as the default and preferred audio driver but also supports native drivers like ALSA, DirectSound or CoreAudio.
There are 4 types of engine processing:
Single-client: (JACK driver only) Same as Multi-client, except that all JACK ports belong to a single master client. This is needed when a setup doesn’t support multi-client JACK apps, such as LADISH.
Multi-client: (JACK driver only) Every single plugin is exposed as a new JACK client. Audio and MIDI ports are registered as needed.
Rack: Plugins are processed in order, from top to bottom. Plugins with non-stereo audio channels are not supported, but a forced-stereo option is available for Mono ones.
Patchbay: Modular patchbay mode, just like in JACK Multi-client and many other modular applications. Every plugin gets its own canvas group and ports allowing you to interconnect plugin audio and MIDI.
The SpatGRIS is a plugin (Mac AU/VST and VST Windows format) designed to compose multichannel space. It allows the user to spatialize the sound in 2D (up to 16 speakers) or in 3D (up to 128 speakers) under a dome of speakers (with the ServerGRIS, available also on SourceForge). It includes two audio modes, — Free Volume and PanSpan — and one OSC mode. SpatGRIS is a fusion of two former plugins by the GRIS: OctoGRIS and ZirkOSC with a lot of new features. Automated Trajectories are included. It is possible to control it from external controllers such as Joystick, iPad or Leap Motion.
Features:
Three modes: Free Volume, Pan Span, OSC Spatialization
The frequency response of your room is very different in every point of the room. “Good” equalization in one point can worsen the sound in the neighboring point. Single-point equalization is not reliable and cannot be used in a professional room correction system. On the other hand, multipoint equalization is not simple; both the volume and the phase of the testing signal are very different in different points of the room. Simple averaging is not applicable. MathAudio Room EQ applies a state-of-the-art multipoint correction algorithm which ensures the best possible improvement in every point of the listening area.
Corrects deficiencies of room acoustics (multipoint compensation).
Corrects acoustic imperfections of speakers.
Avoids the pre-echo (pre-ringing) problem of conventional convolver-based room correction systems. The absence of pre-echo ensures the neutrality of the sound.
Works in rooms, halls and outdoor venues of any size.
Works with zero latency. Perfect for live performances and studio monitoring.
Doesn’t delay the audio track when playing video.
Corrects both amplitude and phase components of frequency response.
Quells resonance peaks of frequency response while leaving the deep notches.
Avoids the overcompensation which happens in conventional linearizing room correction systems.
Manually adjustable level of compensation allows one to reach the maximum transparency of the sound.
Supports full range of sample rates from 44,056 kHz up to 384 kHz. All sample rates are supported without resampling to avoid any possible loss in quality.
Includes a custom target curve feature.
Applies 64-bit signal path throughout.
Works with USB measurement microphones (e.g. MiniDSP UMIK-1 or Dayton Audio UMM-6) or standard measurement microphones (e.g. NADY CM100 or Dayton Audio EMM-6).
Supports microphone calibration files.
Applies a patented method of frequency response correction.
The Sonalksis FreeG is everything you need in a master fader. A simple, but absolutely indispensable plug-in, FreeG extends the functionality of a typical audio host by providing a large-format style fader, along with ultra accurate metering. FreeG helps to maximise workflow with extended, customizable metering, and multiple control features and settings.
When working with digital audio, a lack of fine metering and extended signal flow control in the host is a common issue. FreeG helps to improve workflow in the host by providing these features in the insert chain. By delivering enhanced control of amplitude, phase and pan (stereo version) in the insert chain as well as fine metering, with user configurable industry standard ballistic options, the freeG is the perfect master control.
Features:
Long-throw fader
Ultra accurate metering
Multiple metering ballistic types
Peak and RMS readouts
Pre/Post metering options
Selectable Pan-Law
‘Fine’ mode for sensitive calibration of the master fader