Utility is a free, lightweight, universal general purpose all in one digital channel strip plugin offering precise controls over various aspects of an audio signal, from mid/side processing to soft clipping.
Features:
input routing with separate pans for the left and right channels, or alternatively a pre mono balance control to decide how the left and right channels are blended for conversion into mono
gain, and individual left and right channel gains, mutes
pan and phase inversion of either channel
width control, along with separate mid and side gain sliders and mutes
maximally flat minimal phase high and low pass 12db/octave filtering
optional hard and soft clipping at 0db
everything is fully automatable with sensible parameter ranges/scaling
The Audio File Library is a C-based library for reading and writing audio files in many common formats.
The Audio File Library provides a uniform API which abstracts away details of file formats and data formats. The same calls for opening a file, accessing and manipulating audio metadata (e.g. sample rate, sample format, textual information, MIDI parameters), and reading and writing sample data will work with any supported audio file format. The Audio File Library lets you work with audio data in whatever format is most convenient for you.
This is an OpenGL bars visualization plugin (as seen in XMMS and XBMC/Kodi). It’s adapted from the jack_glbars project by Nedko Arnaudov. glBars works as a JACK standalone and audio plugin (LV2 or VST).
Dexed is a multi-platform, multi-format plugin synth that is closely modelled on the Yamaha DX7. Dexed is also a midi cartridge librarian / manager for the DX7.
Features:
Multi platform (OS X, Windows or Linux) and multi format. (VST, AU, LV2)
144 DAW automatable DX7 parameters available from one single panel.
Fully supports DX7 input and output Sysex messages; including controller change. This means that you can use this with a native DX7/TX7 as a patch editor and sysex manager.
Each operator has a realtime VU meter so you know which one is active.
Can load or save any DX7/TX7 sysex programs. It is also possible to save a single program into a different sysex file.
Demlo is a music library organizer. It can encode, fix case, change folder
hierarchy according to tags or file properties, tag from an online database,
copy covers while ignoring duplicates or those below a quality threshold, and
much more. It makes it possible to manage your libraries uniformly and
dynamically. You can write your own rules to fit your needs best.
Demlo can address any of these recurring music library issues (and much more):
Fix the lack of folder structure.
Normalize tags, fix their case, chose which tags to keep and which to discard.
Radio Tray is an online radio streaming player that runs on a Linux system tray. Its goal is to have the minimum interface possible, making it very straightforward to use. Radio Tray is not a full featured music player, there are plenty of excellent music players already. However, there was a need for a simple application with minimal interface just to listen to online radios. And that’s the sole purpose of Radio Tray.
Features:
plays most media formats (based on gstreamer libraries)
Andes is a standalone software synthesiser, or plugin, in early stages of development. The core of Andes is an original oscillator which uses a pseudo-3D version of Perlin Noise to produce distinctively digital sound.
Synthesizer plugin for ADLMIDI and OPNMIDI (VST/LV2). This software package provides FM synthesizer plugins, based on OPL3 and OPN2 sound chip emulations. The emulations and the drivers are provided by libADLMIDI and libOPNMIDI.
control of multiple YMF262/YM2612 emulated chips
high fidelity emulation, with choice of compromise level (good fidelity / fast, excellent fidelity / slow)
synthesis of melodic and percussive instruments
bundled collection of instruments
support for dynamic parameterization and automation
rigorous implementation of the MIDI standard
multi-channel operation with General MIDI compatibility
ability to synthesize entire MIDI files out of the box
Zrythm is a cross-platform digital audio workstation designed to be featureful and easy to use. Automate almost anything with automation events using straight lines, ramps and curves, or with LFOs and envelopes. Featuring a chord pad for quickly trying out chords in a scale and a chord track to help with chord progressions.
Complete support for LV2 and VST2, with experimental support for VST3, AU, SFZ and SF2. Fully JACK aware, including support for JACK transport, ALSA, WASAPI, Windows MME, CoreMidi and CoreAudio.
Zrythm (Basic) is free software. Use, study, share and improve it freely. Available in multiple languages including English, French, Galician, Portuguese, Japanese and German.
Carla is a fully-featured modular audio plugin host, with support for many audio drivers and plugin formats. It has some nice features like transport control, automation of parameters via MIDI CC and remote control over OSC.
Carla currently supports LADSPA (including LRDF), DSSI, LV2, VST2, VST3 and AU plugin formats, plus SF2 and SFZ file support. It uses JACK as the default and preferred audio driver but also supports native drivers like ALSA, DirectSound or CoreAudio.
There are 4 types of engine processing:
Single-client: (JACK driver only) Same as Multi-client, except that all JACK ports belong to a single master client. This is needed when a setup doesn’t support multi-client JACK apps, such as LADISH.
Multi-client: (JACK driver only) Every single plugin is exposed as a new JACK client. Audio and MIDI ports are registered as needed.
Rack: Plugins are processed in order, from top to bottom. Plugins with non-stereo audio channels are not supported, but a forced-stereo option is available for Mono ones.
Patchbay: Modular patchbay mode, just like in JACK Multi-client and many other modular applications. Every plugin gets its own canvas group and ports allowing you to interconnect plugin audio and MIDI.
Triple Cheese: Luscious and cheesy, winner of the 2006 KVR Developer Challenge, is a truly unique freeware synthesizer. No traditional oscillators or wavetables, no FM or phase distortion and no analogue modelled filters here. A touch unusual and a little cheesy, Triple Cheese is quite capable of some surprising sounds.
Triple Cheese avoids classic synthesis techniques—no subtractive, frequency modulation (FM) or additive synthesis. Rather, it employs various types of comb filter, often in series, to generate and modify sound. Think of the comb filters as very short chromatically tuned delays. Three modules are arranged in series and either generate their own sound, or process the output of the previous module.
The features for each module can result in sounds that might seem a little “cheesy” or retro (think early 1980s digital synths). But when pushed, you will find Triple Cheese creates some surprisingly lush sounds.
8 different modes per comb filter module (11 modes total)
Polyphonic (up to 16 voices), duophonic, monophonic (retriggered) or legato mode