SoundBible.com offers thousands of free sound effects, sound clips, and straight up sounds. These sounds can be used in a variety of sound projects including Video Sound Scores, Movie Scoring, Game Design, Powerpoint Presentations, Prank Calls, Sound Boards, and the list goes on. SoundBible.com is a great source for copyright free sounds.
Why are these sounds free? Well for a few reasons really:
Our project benefits teachers, students, faculty, and starving artist. They couldn’t afford to buy them so we are forced to give them away for free. 🙂
The Royalty Free Sounds section consist of Creative Commons and Public Domain works
The owners of SoundBible.com were taught to share by their parents. Isn’t that what your parents taught you?
Because Free is way cooler than Fee. That one letter “r” makes a world of difference
Can these sounds be used commercially? The Royalty Free Sounds can indeed be used for commercial uses. The free sounds can only if they are under the Creative Commons Attribution, or Public Domain License.
Seq24 is a minimal loop based midi sequencer. It was created to provide a very simple interface for editing and playing midi ‘loops’. After searching for a software based sequencer that would provide the functionality needed for a live performance, such as the Akai MPC line, the Kawai Q80 sequencer, or the popular Alesis MMT-8, I found nothing similar in the software realm. I set out to create a very minimal sequencer that excludes the bloated features of the large software sequencers, and includes a small subset of features that I have found usable in performing.
Rakarrack is a richly featured multi-effects processor emulating a guitar effects pedalboard. Effects include compressor, expander, noise gate, graphic equalizer, parametric equalizer, exciter, shuffle, convolotron, valve, flanger, dual flange, chorus, musical delay, arpie, echo with reverse playback, musical delay, reverb, digital phaser, analogic phaser, synthfilter, varyband, ring, wah-wah, alien-wah, mutromojo, harmonizer, looper and four flexible distortion modules including sub-octave modulation and dirty octave up. Most of the effects engine is built from modules found in the excellent software synthesizer ZynAddSubFX. Presets and user interface are optimized for guitar, but Rakarrack processes signals in stereo while it does not apply internal band-limiting filtering, and thus is well suited to all musical instruments and vocals. Rakarrack is designed for Linux distributions with Jack Audio Connection Kit.
Bristol is synth emulation package for a diverse range of vintage synthesisers, electric pianos and organs. The application consists of a multithreaded audio synthesizer and a user interface called brighton.
Features:
Over thirty emulators to mix and match
Multitimbral engine
Simultaneous splits and layers of different emulators
This component provides configurable screen overlays which may be opened with hotkeys, or appear on specific events. Each overlay is configured separately, and has its own set of events.
Foobar – OSD – Full Screen – Title DisplayFoobar ~ OSD – Full Screen – Volume Display
Lazy Kenneth will help those who don’t know how to use, or are too lazy to use sidechain to handle heavy basslines that collide with the bass drum in 4/4 music. That is music where you put a bass drum on all fours, techno, house, trance, minimal, tribal and so on. Put Lazy Kenneth on the bassline track and it will automatically duck the signal when the bass drum hits. You could place a LK on all tracks except the bass drum for some real heavy pumping effect.
Synchronous Audio Router lets you route audio from any Windows application through a DAW (digital audio workstation) application, giving you an immense amount of control over your system’s audio. You can apply sophisticated effects, routing and switching, and combine the audio streams from each individual application any way you want, producing any number of output mixes.
If your applications of choice doesn’t let you select an audio device, SAR has you covered: you can define per-application routing rules which will override the Windows default audio device settings. You can even use pattern matching to define rules for groups of applications.
It’s also fast. SAR operates inline with your existing ASIO driver, adding no additional buffer latency to your DAW, and uses WaveRT for direct low latency transport of audio between applications. This is in contrast to many other “virtual audio cable” type drivers which often require buffer sizes as large as 50-100ms to work reliably.