This is a component for the foobar2000 audio player, which provides a skinnable overlay UI.
theqwertiest.github.io/dotnet_title_bar
hydrogenaud.io/index.php?topic=121673
The Daphile is the heart of a digital music system. Its primary focus is in storage and playback of your digital music library. It enables the best possible audio quality and future-proof flexibility by providing plug&play support for USB connected digital-to-analog converters (DAC). You can easily setup a multi-zone system just by connecting another USB DAC for each zone.
Daphile is based on the open source Squeezebox Server, Squeezelite and Linux.
Since Daphile is used and configured completely via the web interface the user is not required to have any Linux skills.
DSF_FillMute is a program that replaces a series of trailing zeros created by the standard of DSF files with a silent signal (0x69,1001 0110b). It is effective for devices that generate noise by playing a series of trailing zeros. There is no change in the actual sound or ID3 tag because no processing is added except at the end.
pcmdsd.com/Software/DSF_FillMute
PCM-DSD Converter is a program that converts a PCM WAV format sound source to DSD DSDIFF format. You can convert from PCM 16bit ~ 64bit Float / 44.1 ~ 768kHz to DSD16-DSD2048.
pcmdsd.com/Software/PCM-DSD_Converter
Adds and fixes music metadata and adds album art.
github.com/kalbhor/MusicRepair
This collection hosts complete, freely downloadable / streamable, often Creative Commons-licensed catalogs of ‘virtual record labels’.
These ‘netlabels’ are non-profit, community-built entities dedicated to providing high quality, non-commercial, freely distributable MP3 / OGG-format music for online download in a multitude of genres. Styles include:
The PC based Soundcard Oscilloscope receives its data from the Soundcard with 44.1kHz and 16 Bit resolution. The data source can be selected in the Windows mixer (Microphone, Line-In or Wave). The frequency range depends on the sound card, but 20-20000Hz should be possible with all modern cards. The low frequency end is limited by the AC coupling of the line-in signal. Be aware, that most microphone inputs are only mono.
The oscilloscope contains in addition a signal generator for 2 channels for sine, square, triangular, sawtooth wave forms and different noise spectra in the frequency range from 0 to 20kHz. The signal can be defined by a mathematical formula as well. The signals are available at the speaker output of the sound card. These can be fed back to the oscillocope in order to generate Lissajous figures in the x-y mode.
VintageRadio is a GUI front-end for the fm command-line application included with fmtools <http://benpfaff.org/fmtools>. It is written in [incr Tcl/Tk], an object-oriented extension package for Tcl/Tk. VintageRadio is not part of fmtools.
sourceforge.net/projects/vintageradio
This project provides an open source MacOS v10.14, v10.15, v11.6 (Mojave, Catalina, Big Sur) compatible CoreMIDI 64 bit device driver for M-Audio’s MIDISPORT range of USB MIDI interfaces. This driver supports the following devices:
Other devices which are compatible may also work, although presently, these are the only ones which have been tested.
github.com/leighsmith/midisport-macos
sourceforge.net/projects/midisport-macos
TAL-NoiseMaker is a virtual analog synthesizer with great sound and low CPU usage.
tal-software.com/products/tal-noisemaker
Free Music Archive (FMA), founded in 2009 by radio station WFMU, offers free access to open licensed, original music. Historically, radio has always offered the public free access to new music. So with the help of curators, netlabels and thousands of independent musicians around the world FMA became a continuation of that purpose. Tens of millions of visitors every month download music for personal use and many share and remix music from FMA in videos, podcasts, films, games, apps and even school projects.
Every MP3 you discover on Free Music Archive is pre-cleared for certain types of uses that would otherwise be prohibited by copyright laws that were not designed for the digital era. These uses vary and are determined by the rights-holders themselves (please see our FAQ) who feel that allowing a degree of free cultural access is beneficial not only to their own pursuits, but to our society as a whole. Free Music Archive is a resource for audiophiles of all stripes, and unlike other websites, all of the audio has been hand-picked by one of our established audio curators.
Free Music Archive is a platform for collaboration between curators and artists, including radio stations, netlabels, venues, artist collectives, museums, music festivals and more. The platform combines the curatorial approach that these organizations have played for the last few decades, with the community-generated approach of many current online music sites.
Inspired by Creative Commons and the open-source software movement, FMA provides a legal and technological framework for curators, artists, and listeners to harness the potential of music sharing. Every artist page will have a bio and links to the artists’ home page for users to learn more about the music they discover via Free Music Archive. We also seek to compensate artists directly where possible. Artist, album and song profiles may contain links to buy the full album from the artist and/or label’s preferred vendor(s). Users can also “tip” an artist if they like what they hear, sending a donation directly to the artists’ PayPal account. FMA is also experimenting with “web monetization” tools.
While Free Music Archive is free and open to anyone regardless of registration or other requirements, written and audio content is curated, and permission to upload/edit content is granted on an invitation basis.
In September 2019, Free Music Archive was acquired by Tribe of Noise, a music platform and licensing company with many common features, facilitating a community of more than 34,000 independent artists across 190+ countries. Both FMA and Tribe of Noise support free to access, Creative Commons licensed, music and offer independent creators a variety of (revenue) opportunities.
Charlatan is a polyphonic, subtractive virtual analog (VA) synthesizer VSTi plugin with focus on sound quality and easy usability. It comes with a flexible, yet not overwhelming feature set which encourages artists to start tweaking instead of just relying on presets. In spite of it’s simplicity, Charlatan’s architecture is flexible enough to create both classic sounds and rather experimental noises. While making no compromise about sound quality, the sound engine has been highly optimized for efficient CPU usage making Charlatan well suited as a “bread and butter” synth even in projects with a large number of plugin instances. Best of all, it’s freeware! Enjoy!
The Audio File 