The frequency response of your room is very different in every point of the room. “Good” equalization in one point can worsen the sound in the neighboring point. Single-point equalization is not reliable and cannot be used in a professional room correction system. On the other hand, multipoint equalization is not simple; both the volume and the phase of the testing signal are very different in different points of the room. Simple averaging is not applicable. MathAudio Room EQ applies a state-of-the-art multipoint correction algorithm which ensures the best possible improvement in every point of the listening area.

• Corrects deficiencies of room acoustics (multipoint compensation).
• Corrects acoustic imperfections of speakers.
• Avoids the pre-echo (pre-ringing) problem of conventional convolver-based room correction systems. The absence of pre-echo ensures the neutrality of the sound.
• Works in rooms, halls and outdoor venues of any size.
• Works with zero latency. Perfect for live performances and studio monitoring.
• Doesn’t delay the audio track when playing video.
• Corrects both amplitude and phase components of frequency response.
• Quells resonance peaks of frequency response while leaving the deep notches.
• Avoids the overcompensation which happens in conventional linearizing room correction systems.
• Manually adjustable level of compensation allows one to reach the maximum transparency of the sound.
• Supports full range of sample rates from 44,056 kHz up to 384 kHz. All sample rates are supported without resampling to avoid any possible loss in quality.
• Includes a custom target curve feature.
• Applies 64-bit signal path throughout.
• Works with USB measurement microphones (e.g. MiniDSP UMIK-1 or Dayton Audio UMM-6) or standard measurement microphones (e.g. NADY CM100 or Dayton Audio EMM-6).
  Supports microphone calibration files.
• Applies a patented method of frequency response correction.
• Freeware Foobar2000 Component

mathaudio.com/room-eq