The SpatGRIS is a plugin (Mac AU/VST and VST Windows format) designed to compose multichannel space. It allows the user to spatialize the sound in 2D (up to 16 speakers) or in 3D (up to 128 speakers) under a dome of speakers (with the ServerGRIS, available also on SourceForge). It includes two audio modes, — Free Volume and PanSpan — and one OSC mode. SpatGRIS is a fusion of two former plugins by the GRIS: OctoGRIS and ZirkOSC with a lot of new features. Automated Trajectories are included. It is possible to control it from external controllers such as Joystick, iPad or Leap Motion.
Features:
Three modes: Free Volume, Pan Span, OSC Spatialization
The frequency response of your room is very different in every point of the room. “Good” equalization in one point can worsen the sound in the neighboring point. Single-point equalization is not reliable and cannot be used in a professional room correction system. On the other hand, multipoint equalization is not simple; both the volume and the phase of the testing signal are very different in different points of the room. Simple averaging is not applicable. MathAudio Room EQ applies a state-of-the-art multipoint correction algorithm which ensures the best possible improvement in every point of the listening area.
Corrects deficiencies of room acoustics (multipoint compensation).
Corrects acoustic imperfections of speakers.
Avoids the pre-echo (pre-ringing) problem of conventional convolver-based room correction systems. The absence of pre-echo ensures the neutrality of the sound.
Works in rooms, halls and outdoor venues of any size.
Works with zero latency. Perfect for live performances and studio monitoring.
Doesn’t delay the audio track when playing video.
Corrects both amplitude and phase components of frequency response.
Quells resonance peaks of frequency response while leaving the deep notches.
Avoids the overcompensation which happens in conventional linearizing room correction systems.
Manually adjustable level of compensation allows one to reach the maximum transparency of the sound.
Supports full range of sample rates from 44,056 kHz up to 384 kHz. All sample rates are supported without resampling to avoid any possible loss in quality.
Includes a custom target curve feature.
Applies 64-bit signal path throughout.
Works with USB measurement microphones (e.g. MiniDSP UMIK-1 or Dayton Audio UMM-6) or standard measurement microphones (e.g. NADY CM100 or Dayton Audio EMM-6).
Supports microphone calibration files.
Applies a patented method of frequency response correction.
The Sonalksis FreeG is everything you need in a master fader. A simple, but absolutely indispensable plug-in, FreeG extends the functionality of a typical audio host by providing a large-format style fader, along with ultra accurate metering. FreeG helps to maximise workflow with extended, customizable metering, and multiple control features and settings.
When working with digital audio, a lack of fine metering and extended signal flow control in the host is a common issue. FreeG helps to improve workflow in the host by providing these features in the insert chain. By delivering enhanced control of amplitude, phase and pan (stereo version) in the insert chain as well as fine metering, with user configurable industry standard ballistic options, the freeG is the perfect master control.
Features:
Long-throw fader
Ultra accurate metering
Multiple metering ballistic types
Peak and RMS readouts
Pre/Post metering options
Selectable Pan-Law
‘Fine’ mode for sensitive calibration of the master fader
Pseudo stereo without phase issues. Wider takes the massively popular stereo section from its sibling, Manipulator, and creates the illusion of an expanded stereo image of a mono signal to an awe-inspiring amount of width. However, Wider is a unique stereo plugin in the sense that it is completely “mono-compatible”, meaning that any signal that has been extended will always remain in phase with itself, even if summed to mono.
AnSpec is an analog-style one/third-octave spectrum analyzer AAX, AudioUnit and VST plugin for professional sound and music production applications. It was designed to be a handy visual feedback tool for those who like visual smoothness and easiness of use of analog analyzers. AnSpec also provides peak level indication.
While there are no adjustable parameters available in this plugin, you can still change level meter ballistics and resize plugin’s window.
TDR VOS SlickEQ is a mixing / mastering equalizer designed for ease of use, musical flexibility and impeccable sound.
Three (and a half) filter-bands arranged in a classic Low/Mid/High semi-parametric layout offer fast and intuitive access to four distinct EQ modes, each representing a set of distinct EQ curves and behaviors. An elaborate auto gain option automatically compensates for changes of perceived loudness during EQ operation. Optionally, SlickEQ allows to exclusively process either the stereo sum or stereo difference (i.e. “stereo width”) without additional sum/difference encoding.
In order to warm up the material with additional harmonic content, SlickEQ offers a switchable EQ non-linearity and an output stage with 4 different saturation models. These options are meant to offer subtle and interesting textures, rather than obvious distortion. The effect is made to add the typical “mojo” often associated with classy audio gear.
An advanced 64bit multirate processing structure practically eliminates typical problems of digital EQ implementations such as frequency warping, quantization distortion and aliasing.
Beside the primary controls, the plug-in comes with an array of additional helpers: Advanced preset management, undo/redo, quick A/B comparison, copy & paste, an online help, editable labels, mouse-wheel support and much more.
Key specs and features:
Intuitive, yet flexible semi parametric EQ layout
Modern user interface with outstanding usability and ergonomics
Carefully designed 64bit “delta” multi-rate structure
Three EQ bands with additional 18dB/Oct high-pass filter
Four distinct EQ models: “American”, “British”, “German” and “Soviet” with optional non-linearity
Five output stages: “Linear”, “Silky”, “Mellow”, “Deep” and “Toasted”
Advanced saturation algorithms by VoS (“Stateful saturation”)
Highly effective and musically pleasing loudness compensated auto gain control
Stereo and sum/difference processing options
Toolbar with undo/redo, A/B, advanced preset management and more
an LFO-driven MIDI arpeggiator, gate effect and step sequencer
for mangling sustained MIDI input chords
the output of which can then drive other MIDI instruments
acts either as a VST or Audio Unit plugin for your DAW, or as a standalone application
the original hypercyclic won 2nd place in the KVRAudio.com Developer Challenge ‘07
the sweet spot for hypercyclic is the narrow border between chaos and regularity. Or, in other words, how to induce a certain pleasant randomness and syncopation, yet forcing everything to align again on the bar or beat boundaries
How do you use it?
the main use for hypercyclic is to generate midi that can be recorded and/or sent to other plugins. However it also features a simple built-in synth for testing purposes
you can use two tempo-synced LFOs to modulate various parameters for creating interesting rhythmic effects and chord variations
a unique feature is the possibility to modulate the sequencer step size itself, which is useful for creating glitchy stuttering effects
another thing you can use is a groove function for playing slightly off the beat. The groove parameters can also be modulated over time by the LFOs, adding to the rhythmic variation
Back by popular demand comes a remastered version of the extremely popular Cheeze Machine virtual instrument by Big Tick Audio. An extra cheesy, extra saucy string box in the style of the original vintage string machines. Cheeze Machine 2 includes an expanded oscillator section, convolution reverb, a vintage ensemble chorus, and 64 bit compatibility for VST, AU, AAX and standalone applications.
A group of audio DAW plug-ins targeting Windows (VST), Mac (VST/AU), and Linux, mostly for guitar amplifier simulation, with the C-120 being the flagship product (which started off long ago as a closed-source VST). Open source, mostly under GPL.
Features:
Up to 128-bit (internal) Multi-Stage Guitar Amplifier Layered Distortion, also runs in 64 and 32 bit modes
Native Mac and Linux ports coming soon
Advanced maths for tube-like guitar amplifier distortion, doesn’t use cheap waveshaping
Designed with dynamic response that changes according to the input level – Much more than just a basic “sample in, sample out”
Up to 12x Internal Oversampling, separate controls for live/online and off-line render
Multi-Band EQ – low, mid, high, contour, presence
Built-in custom convolution-based cab-mic effect, works with almost any sample rate and/or audio buffer size
New version of C120 has less clutter in GUI, separate page for advanced features
No commercial bloat!
GPL license, but just for the plug-in itself
Any rendered/processed audio is YOURS (any license you want)!
Hand-Coded in C++, pre-fab code or “wizards” were NOT used to build this!
Primarily built with MinGW-w64 and Code::Blocks IDE
NEW Jykwrakker plugin also features custom stereo reverb FX you won’t find elsewhere.
NEW Source code available under zlib license (long overdue)
Protoplug is a VST/AU plugin that lets you load and edit Lua scripts as audio effects and instruments. The scripts can process audio and MIDI, display their own interface, and use external libraries. Transform any music software into a live coding environment!
Cross-platform: builds for Windows, Mac OS X and Linux. This means that all protoplug scripts are compatible with these platforms and can be loaded into a huge amount of audio software (glory to JUCE).
Fast: Use the speed of LuaJIT, and perform DSP tasks as efficiently as old school C implementations.
Free and open source: Want a new feature? Add it yourself. The source is MIT-licensed and available on Github.
Helm runs in GNU/Linux, Mac OSX and Windows. Run Helm as a standalone synthesizer or as an LV2, VST, VST3 or AU plugin. Comes in both 32-bit and 64-bit versions.
Tune It! is a piece of software that helps musicians to tune their instrument. It can also be used to monitor the pitch during live performance.
Tune It! is based on a original and very accurate pitch detection algorithm. It can tune a wide range of instruments such as guitar, bass, piano, flute, violin, saxophone, etc…
Tune It! is available for both Windows and Macintosh platforms. It can be ran as a standalone application or as a plugin within a VST or AU host.
Features:
Automatic note recognition from A-1 up to A6.
Programmable A440 reference from 400 to 480Hz (step of 1Hz or 0,1Hz).
Programmable Precision
The highest precision, the finest tuning.
The lower precision, the lower latency (suited for tuning control during live performance)
The Audio File 