A cross-platform, multi-format audio conversion and tagging suite for .NET and PowerShell. Formats currently supported are MP3, MP4 AAC, FLAC, Apple Lossless (ALAC), Opus, Ogg Vorbis and Wave.
A full user interface (Windows only) is in development.
This project supplants PowerShell Audio by targeting both Windows PowerShell and PowerShell Core (Windows, Linux and MacOS).
Distraction-free – Helio is an attempt to rethink a music sequencer to create a tool that feels right. It provides a lightweight UI to help you get into the zone and focus on your ideas.
Clear over clever – Visualize music in a way that doesn’t seem so smoke and mirrors. The app may serve as a learning tool you need to grow as a composer.
Cross-platform tech – Available for all major platforms, desktop and mobile. Hosts VST and AudioUnit, runs on CoreAudio, ASIO, DirectSound, ALSA, JACK and OpenSLES. Exports to MIDI, WAV and FLAC.
Dexed is a multi-platform, multi-format plugin synth that is closely modelled on the Yamaha DX7. Dexed is also a midi cartridge librarian / manager for the DX7.
Features:
Multi platform (OS X, Windows or Linux) and multi format. (VST, AU, LV2)
144 DAW automatable DX7 parameters available from one single panel.
Fully supports DX7 input and output Sysex messages; including controller change. This means that you can use this with a native DX7/TX7 as a patch editor and sysex manager.
Each operator has a realtime VU meter so you know which one is active.
Can load or save any DX7/TX7 sysex programs. It is also possible to save a single program into a different sysex file.
Andes is a standalone software synthesiser, or plugin, in early stages of development. The core of Andes is an original oscillator which uses a pseudo-3D version of Perlin Noise to produce distinctively digital sound.
Zrythm is a cross-platform digital audio workstation designed to be featureful and easy to use. Automate almost anything with automation events using straight lines, ramps and curves, or with LFOs and envelopes. Featuring a chord pad for quickly trying out chords in a scale and a chord track to help with chord progressions.
Complete support for LV2 and VST2, with experimental support for VST3, AU, SFZ and SF2. Fully JACK aware, including support for JACK transport, ALSA, WASAPI, Windows MME, CoreMidi and CoreAudio.
Zrythm (Basic) is free software. Use, study, share and improve it freely. Available in multiple languages including English, French, Galician, Portuguese, Japanese and German.
Carla is a fully-featured modular audio plugin host, with support for many audio drivers and plugin formats. It has some nice features like transport control, automation of parameters via MIDI CC and remote control over OSC.
Carla currently supports LADSPA (including LRDF), DSSI, LV2, VST2, VST3 and AU plugin formats, plus SF2 and SFZ file support. It uses JACK as the default and preferred audio driver but also supports native drivers like ALSA, DirectSound or CoreAudio.
There are 4 types of engine processing:
Single-client: (JACK driver only) Same as Multi-client, except that all JACK ports belong to a single master client. This is needed when a setup doesn’t support multi-client JACK apps, such as LADISH.
Multi-client: (JACK driver only) Every single plugin is exposed as a new JACK client. Audio and MIDI ports are registered as needed.
Rack: Plugins are processed in order, from top to bottom. Plugins with non-stereo audio channels are not supported, but a forced-stereo option is available for Mono ones.
Patchbay: Modular patchbay mode, just like in JACK Multi-client and many other modular applications. Every plugin gets its own canvas group and ports allowing you to interconnect plugin audio and MIDI.
gmorgan is a rhythm station, a modern organ with full editable accompaniment for play in real time emulating the capabilities of commercial rhythm stations “Korg”,”Roland”, “Solton” … also has a small pattern based sequencer like “Band in a Box”. Uses the capabilities of ALSA sequencer to produce MIDI accompaniment.
Seq24 is a minimal loop based midi sequencer. It was created to provide a very simple interface for editing and playing midi ‘loops’. After searching for a software based sequencer that would provide the functionality needed for a live performance, such as the Akai MPC line, the Kawai Q80 sequencer, or the popular Alesis MMT-8, I found nothing similar in the software realm. I set out to create a very minimal sequencer that excludes the bloated features of the large software sequencers, and includes a small subset of features that I have found usable in performing.
The Audio File 