Charlatan is a polyphonic, subtractive virtual analog (VA) synthesizer VSTi plugin with focus on sound quality and easy usability. It comes with a flexible, yet not overwhelming feature set which encourages artists to start tweaking instead of just relying on presets. In spite of it’s simplicity, Charlatan’s architecture is flexible enough to create both classic sounds and rather experimental noises. While making no compromise about sound quality, the sound engine has been highly optimized for efficient CPU usage making Charlatan well suited as a “bread and butter” synth even in projects with a large number of plugin instances. Best of all, it’s freeware! Enjoy!
Key Features:
2 oscillators with shape modulation
Oscillator hard synchronization and ring modulation
Unison mode with up to seven voices and stereo spread
Stereo noise generator
2 ADSR envelope generators
LFO with host tempo synchronization
3 filter types modeled after classic analog hardware: 4-pole (24 db/oct) and 2-pole (12 db/oct) lowpass, bandpass
3 voice modes: Monophonic, Monophonic Legato and 8-voice Polyphonic
an LFO-driven MIDI arpeggiator, gate effect and step sequencer
for mangling sustained MIDI input chords
the output of which can then drive other MIDI instruments
acts either as a VST or Audio Unit plugin for your DAW, or as a standalone application
the original hypercyclic won 2nd place in the KVRAudio.com Developer Challenge ‘07
the sweet spot for hypercyclic is the narrow border between chaos and regularity. Or, in other words, how to induce a certain pleasant randomness and syncopation, yet forcing everything to align again on the bar or beat boundaries
How do you use it?
the main use for hypercyclic is to generate midi that can be recorded and/or sent to other plugins. However it also features a simple built-in synth for testing purposes
you can use two tempo-synced LFOs to modulate various parameters for creating interesting rhythmic effects and chord variations
a unique feature is the possibility to modulate the sequencer step size itself, which is useful for creating glitchy stuttering effects
another thing you can use is a groove function for playing slightly off the beat. The groove parameters can also be modulated over time by the LFOs, adding to the rhythmic variation